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Ed Ruscha, Ripe, 1967

Ed Ruscha, Ripe, 1967

bao-t-nguyen:

old Japanese logo books

hope this helps someone that are searching for photos of these books

https://www.flickr.com/photos/baooffice/albums/72157674432671577

Logo World
Azur Corporation

International Logotypes
Kuwayama, Yasaburo

World Trademarks and Logotypes II: A Collection of Symbols and Their Applications (Vol 2)
Igarashi, Takenobu

A Collection of Trademarks and Logotypes in Japan: No 5

A Collection of Trademarks and Logotypes in Japan: No 4

Modern Monograms: 1310 Graphic Designs (Lettering, Calligraphy,-ExLibrary

A Collection of Trademarks and Logotypes in Japan by Hasegawa, Sumio

Brand Identity by Sumio Hasegawa

powerful-art:
“Takenobu Igarashi
15th Summer Jazz Festival
1983
”

powerful-art:

Takenobu Igarashi
15th Summer Jazz Festival
1983

esper-dream:
“Takenobu Igarashi - Expo ‘85, 1982
”

esper-dream:

Takenobu Igarashi - Expo ‘85, 1982

it-might-matter:

【NEWS】

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遅ばせながら、昨年の秋に出た著書の紹介です。
3年ほど前から準備を進めていたデザイナー/彫刻家の五十嵐威暢氏による3Dタイポグラフィーの本ができました。ページの制限で、全作品とまではいきませんでしたが、全図版カラー、かなりのボリュームです。版下やスケッチ、写真など、創造の裏側を知ることができる貴重な資料もしっかり含まれています。わたしは、編集とテキストを担当しました。デザインは五十嵐さんのもとで以前働いていた森治樹さんです。森さんとは編集も一緒に行いました。

Let me introduce my publication released last autumn.
It’s about 3D typography developed by the designer and the sculptor, Takenobu Igarashi. It took almost 3 years to complete the project but I really enjoyed the production process. Due to the limit of the page number, we couldn’t include every single work Igarashi did but it contains a large number of images in color! There are materials that reveal Igarashi’s creative mind such as design drafts, sketches, and photographs as such. I was in charge of editing and writing. The design was by Haruki Mori, who used to work for Igarashi. He also did editing with me.

詳細はこちら/More details 
https://thamesandhudson.com/takenobu-igarashi-9780500023068

typo-graphic-work:
“Takenobu Igarashi | 14th Summer Jazz Festival | 1982
”

typo-graphic-work:

Takenobu Igarashi | 14th Summer Jazz Festival | 1982

vignellicenter:

In 1987, you probably shopped at a United Colors of Benetton store. You may have worn one of these t-shirts. “Why wear just a top when you can stand out in art? Nine famous American graphic artists made these knockout designs, exclusively for Benetton.”

Lella and Massimo Vignelli gathered nine graphic designers, including Massimo Vignelli himself and Michael Bierut (Vice President of Graphic Design at the Vignelli office), to each design a t-shirt for the Italian clothing company Benetton. The other seven designers were: April Greiman, Dan Friedman, Takenobu Igarashi, Seymour Chwast, Woody Pirtle, Michael Vanderbyl, and Milton Glaser.

Today is 8/8/18 and it’s also time for this month’s #ArchivesHashtagParty hosted by the National Archives and Northwestern University’s Transportation Library. With all these eights, what could be more fitting than an #Archives80s theme. Archives, libraries, and museums (and you can too!) are sharing their 80s-themed artifacts! (That includes 1780s, 1880s, or 1980s). 

More 1980s from the archives: 
http://vignellicenter.tumblr.com/search/1980s

United Colors of Benetton The catalog Spring/Summer 1987 
Massimo and Lella Vignelli papers
Vignelli Center for Design Studies
Rochester, New York

United Colors of Benetton T-shirt tags, 1987
Massimo and Lella Vignelli papers
Vignelli Center for Design Studies
Rochester, New York

garadinervi:
“Kumi Sugaï, Encres bleues, 1962 [Centre Pompidou, Paris. © Adagp, Paris. Photo: © Philippe Migeat/Centre Pompidou]
”

garadinervi:

Kumi Sugaï, Encres bleues, 1962 [Centre Pompidou, Paris. © Adagp, Paris. Photo: © Philippe Migeat/Centre Pompidou]

garadinervi:
“Kumi Sugaï, La bleue, 1960 [Centre Pompidou, Paris. © Adagp, Paris. Photo: © Philippe Migeat/Centre Pompidou]
”

garadinervi:

Kumi Sugaï, La bleue, 1960 [Centre Pompidou, Paris. © Adagp, Paris. Photo: © Philippe Migeat/Centre Pompidou]

garadinervi:
“Kumi Sugaï, S Blue arrows (S Fleches bleues), 1990
”

garadinervi:

Kumi Sugaï, S Blue arrows (S Fleches bleues), 1990

garadinervi:
“Kumi Sugaï, Signal C, 1970
”

garadinervi:

Kumi Sugaï, Signal C, 1970

germanpostwarmodern:
“Double House 14-15 (1927) at Weissenhof Estate in Stuttgart, Germany, by Le Corbusier & Pierre Jeanneret
”

germanpostwarmodern:

Double House 14-15 (1927) at Weissenhof Estate in Stuttgart, Germany, by Le Corbusier & Pierre Jeanneret

(via scavengedluxury)

THEME BY PARTI